I have never, for one, enjoyed reading reviews. There is this unflinching paranoia that the writer may give the plot away and leave me moody; housing inactive residual pockets of deja-vu-ness that would crop up should I one day turn the pages of the novel - oh yes, this seems familiar! It would be a horrible notion if he has somehow successfully managed to make me hate a novel before reading it (or judging it by its cover).
If your astute powers of deduction has not failed you so far, it is no spoiler that this entry marks the occasion when a reviewer has - surprisingly - earned my trust.
The Guardian hosts a special page for the Booker prize, a little treat I thought I could peruse through to allow me to procrastinate (studying) a little longer. Al Kennedy is - as other words fail to describe it so easily - brilliant! His review on ‘The Gathering’ told me what I already knew (from a conversation with Alfred in the hospital library), but he managed to describe it with much passion that now, as I’m typing this, I’m wishing my agenda is left free so that I could read this book with a cup of tea. He states that the author, a Miss Enright, believes that ‘telling a story is not enough..it must be well told‘. His homage to the author is a review that is well written despite it being a simple description of the novel. His personal thoughts are sprinkled sparingly: dissection of characters and events are teasingly minimal, but pungently invokes curiousity for the reader.
My favourite bits include these quips and quotations:
1. This is a world where fidelity is impossible and sex is absurd, but love is forever, like a scar.
2. Veronica [a character] reminds us that she is named for the saint who wiped Christ’s face on his way to the cross, producing his image “on her tea towel”, a nun tells her - this was “the first ever photograph”. Veronica mentions, characteristically deadpan, that she still thinks of the saint whenever she’s given a moist towel after a Chinese meal.
3. He [the character Liam] becomes the ultimate definition of love’s stupidity - an outpouring of energy towards people who are always destined to disappoint, to be disappointed and, above all, who are compelled to leave us in the most devastating way, by dying.
4. She [the author Anne Enright] has uncovered the truth that sometimes our great adventures are interior. When someone we love dies, leaves, the action is elsewhere. That battle with cancer, that dramatic crash, that bolt from the blue - it’s all scripted for someone else. And yet still we insist on being changed, moved, reshaped. It is our nature, the nature Enright charts.
Oh, when exams end, what wierd and wonderful things (like reading endlessly) await me! My toes bristle with anticipation for this madness to end!